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Independent animator and producer Wendy Johnson Carmical has started a production blog dedicated to veteran animator Ken Mundie and his new traditionally animated film (still under production) called The Match.

Mundie, who is now in his eighties, directed the first Fat Albert special, created the titles for The Wild Wild West and produced a controversial Warner Bros. animated short, The Door (1967). Carmical says, “This endeavor to help Ken get his film made is inspired by a love of animation, respect for the pioneers, and regard for a really unique interesting artist.” The Match is “an animated film about an epic tennis match that represents the battle of brute force against the intellect. It will be animated entirely by Ken Mundie. We are hoping to find people interested in painting the finished animation and/or find funding.”

Below is a work-in-progress reel of the first act.

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We don’t cover video game animation as much as we should, but this story erupting among animators in the gaming industry cannot be ignored. Apparently, Rockstar San Diego (a branch of the makers of the Grand Theft Auto videogame series in San Diego) has been working their crew six days a week, 12 hour days since last March. Conditions are said to be bad, and getting worse.

“Determined Devoted Wives of Rockstar San Diego” sent Gamasutra.com this letter, which describes the poor working conditions, which include “mandatory to work close to twelve hours a day including Saturdays” and that “for four consecutive years, salary raises have not adjusted properly to cover inflation.”

Rockstar has issued an internal email rebuttal, as mentioned in this article, on kotaku.com. All I know is Grand Theft Auto has made billions of dollars. There’s no excuse for any company to treat its employees like this. We’d love to hear from anyone with first hand knowledge of this situation.

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An animated short directed by Sam Stephens from Humble’s in-house directing collaborative Hydra. The film combines photography of decomposing fruit with CG characters on top. In the words of the filmmaker, Homunculus is:

a dark and twisted fable of spontaneous generation and untrammeled id. Taking its title from the Latin word for “Little Human”, the piece is an associative mashup between the two concepts behind the word: The first being middle-age alchemical beliefs that “little men” could be spontaneous generated from dead or decaying matter. The second being Carl Jung’s usage as a personification of pure id. These ideas, combined with our love of Dutch still life’s “beautiful decay,” sowed the seeds for this unique little monster of a film.

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